Can be used with LL1636, LL1678, LL1681, LL1931, LL1933, LL1941, LL1943, LL1961, LL1963, LL1971, L9206, LL9226(XL)
The popular EE50 kit, can use all MC transformers, but it is larger size than EE51. Whereas the more compact EE51 can use only the small transformers. Electrical functioning of EE50 and EE51 is identical.
EE50 ready build, with LL1943, face plate not attached
EE50 ready build, with LL9226XL, face plate attached
We offer three versions:
Order Number: 310-050-09. EE50 Kit with PCB and all parts, but without transformers and housing.
Order Number: 310-150-52. EE50 Kit with PCB and all parts, but without connectors, transformers and housing.
Order Number: 310-250-93. EE50 Kit ready build, but without transformers and housing.
Order the transformer of your choice separately
Line |
Input |
Gain |
Core |
Characteristic |
Ground Lift |
Frequency |
01 |
1:10 1:20 |
Amorphous Cobalt |
Lundahl's only MC transformer with internal Faraday shield. Best product for environment with a lot of mains hum. | Closed or open. If open, shield is activated. | 10 Hz--25 kHz @1dB | |
02 |
1:16 1:32 |
Amorphous Cobalt |
High Gain | recommended Closed | 10 Hz--35 kHz @1dB | |
03
| LL1931 | 8x 16x |
Amorphous Cobalt |
Wound with 6N 'Cardas' wire. Best Sound of Amorphous. | Recommended Closed | 10Hz--100kHz @1dB |
04 |
LL1933 | 8x 16x |
Amorphous Nickel |
Wound with 6N 'Cardas' wire. Also amorphous sound, but cleaner as cobalt. | Recommended Closed | 8Hz--100kHz @1dB |
05 |
LL1681 | 13x 26x |
Mu Metal |
Much preferred product by professional users. Has internal shield, for very low hum. Neutral sound. | Closed or open. If open, shield is activated. | 7Hz--55kHz @ 1dB |
06 |
LL1941 | 16x 32X |
Amorphous Cobalt |
Wound with 6N 'Cardas' wire. Best Sound of Amorphous. | Recommended Closed | 10Hz--100kHz @1dB |
07 |
LL1943 | 16x 32X |
Amorphous Nickel |
Wound with 6N 'Cardas' wire. Best Sound of Amorphous. | Recommended Closed | 8Hz--100kHz @1dB |
08 |
LL1961 | 3.2x 6.4x |
Amorphous Cobalt |
Wound with 6N 'Cardas' wire. Best Sound of Amorphous. Has internal shield, for very low hum. | Closed or open. If open, shield is activated. | 12Hz--100kHz @1dB |
09 |
LL1963 | 3.1x 6.2x |
Mu Metal |
Wound with 6N 'Cardas' wire. Neutral sound | Closed or open. If open, shield is activated. | 20Hz--100kHz @1dB |
10 |
LL1971 | 12x 24x |
Amorphous Cobalt |
Wound with 6N 'Cardas' wire. Best Sound of Amorphous. Has internal shield, for very low hum. | Recommended Closed | 10Hz--100kHz @1dB |
11
| 1:10 1:20 |
Amorphous Cobalt |
Just an older type, but very good transformer. You can use it with EE50 when you have a pair around. | recommended Closed | 10Hz--90 kHz @ 1.5B | |
12 |
1:10 1:20 |
Amorphous Cobalt |
One of the best transformers. | recommended Closed | 5Hz--100kHz @ 1.5dB | |
13 |
1:10 1:20 |
Amorphous Cobalt |
Top model version of LL9226, with less loss, and less distortion. | recommended Closed | 4Hz--90kHz @1.5dB |
Explanation page: To choose between MOVING COIL transformers |
Ground lift is used for failure finding with all transformers, or can be used for the shielded transformers, which can handle extreme hum situations. Such as in studios with very long wiring and a lot of equipment. For home use, Ground Lift it is not needed. This means, the GND Links are normally permanently closed, giving primary and secondary a common ground.
The needle has to be damped correctly. There is no general, best setting for this, it depends on the cartridge, the gain, and the whole tone arm. However, it is not drastic. You can begin with "soft" or "very soft" damping, and there is a good chance this will be right. If not, you may need more damping, or less damping. Here is how to recognise if this is the case:
Not enough damping leads to reduced groove contact during loud sound parts, which is a form of distortion. Because of the V-shape of the groove, the needle at very loud music will be forced a little bit higher up in the groove, which is not where it should be. In severe cases it can even cause the needle to skip a groove with very loud music parts. This is mistakenly judged sometimes as a bad adjustment of the tone arm. Though increasing the needle pressure may also seem help, you would be curing it at the wrong place. It only wears out the needle and the records faster. If this can be solved by adjusting the damping, it is a much better way,
Too much damping gives loss of high frequency, and loss of stereo information. That is because faster needle movements (as needed for high frequency) get damped a lot more than low frequencies. Imagine if a record has tones from 20Hz to 20kHz, it is a factor 1000 difference in needle movement speed. So you will initially recognise too much damping, when the higher frequencies seem attenuated. You should avoid this situation, because the stereo information is coded in the vertical needle movement, which get damped just as well.
This is why we recommend to take as much as possible damping, but not exceed the point where you begin to loose high frequency. The only good way is simply try it out with some hearing sessions. Here is some more information about needle damping.
Table for low impedance cartridges with EE50 |
||||||||||||
Cartridge |
Cartridge |
Cartridge |
Cartridge |
Cartridge |
Cartridge |
Cartridge |
||||||
Damping |
A |
B |
C |
D |
GND |
|||||||
Very soft |
X
|
734 Ohms |
326 Ohms |
278 Ohms |
184 Ohms |
82 Ohms |
70 Ohms |
46 Ohms |
||||
Soft |
X
|
X
|
573 Ohms |
270 Ohms |
231 Ohms |
152 Ohms |
68 Ohms |
58 Ohms |
38 Ohms |
|||
Medium |
X
|
X
|
X
|
500 Ohms |
222 Ohms |
189 Ohms |
125 Ohms |
55 Ohms |
47 Ohms |
32 Ohms |
||
Hard |
X
|
X
|
X
|
X
|
438 Ohms |
194 Ohms |
166 Ohms |
109 Ohms |
49 Ohms |
67 Ohms |
27 Ohms |
|
Very Hard |
X
|
X
|
X
|
X
|
297 Ohms |
132 Ohms |
112 Ohms |
74 Ohms |
33 Ohms |
28 Ohms |
19 Ohms |
Table for medium impedance cartridges with EE50 |
|||||||||
Cartridge |
Cartridge |
Cartridge |
Cartridge |
||||||
Damping |
A |
B |
C |
D |
GND |
||||
Very soft |
X
|
4900 Ohms |
4600 Ohms |
1200 Ohms |
1100 Ohms |
||||
Soft |
X
|
X
|
4100 Ohms |
3800 Ohms |
1000 Ohms |
953 Ohms |
|||
Medium |
X
|
X
|
X
|
3300 Ohms |
3100 Ohms |
832 Ohms |
781 Ohms |
||
Hard |
X
|
X
|
X
|
X
|
2900 Ohms |
2700 Ohms |
728 Ohms |
684 Ohms |
|
Very Hard |
X
|
X
|
X
|
X
|
1900 Ohms |
1800 Ohms |
494 Ohms |
464Ohms |
Note: The Jumper A switches the damping of the EE50 on or off. When off, this leaves only the damping of the RIAA amplifier, which is always a "Very Soft" damping. For instance, when set for "Hard", with jumpers A-B+D, just by removing Jumper A, you go from "Hard" to "Very soft". Like this you can quickly compare the effect, while playing music. This works for the other settings as well.
These PCBs fit exactly into Hammond case, type 1590BB. This nice box, you can order it in five colors. Or, take any other box you like. LL1590BB drawing
Never test an MC transformer with an Ohms meter. This will magnetize the core permanently, and sound will become distorted. For this reason, buying second hand MC transformers, is generally not a very good idea.
This was actually build with EE51, but with EE50 it would look the same, just 1cm larger size. Our customer send us these nice, inspiring pictures of his EE51 build.
Thank you Bratislav!
Under the connectors are dummy holes in the PCB, which can be used as a template for drilling the connector holes.
Here is a hint you may like: When drilling holes in Aluminum, use normal household cleaning alcohol as a lubricant, and drill at low speed. This gives a much nicer drill hole as when drilling dry. You won't believe this if you have never tried it.
The EE50 PCB has this break-off template attached to it. First, break off the template, it is used to line up the connectors perfectly. Use this procedure: Plug in the connectors on the board, without solder, and hand tighten the face plate to the connectors. Then solder this assembly on the board, with only two of the tine wires. One of the left outside, and one of right outside of the board. After soldering like this, you can still re position the assembly. Check carefully if the connectors are nicely aligned to the board itself. If so, solder all thin wires, and you can still align the angle of the assembly. If the angle is good, solder the thick wires. Later, the template can also be used as a face plate if you like.
Above is the default setting, this is for high gain, and very soft damping. Also note the correct placement of the damping resistors (look at the color rings). The jumpers, if not used, you can put them on one pin only.
The PCB is double sided grounded, and the two mounting screws are also the ground connections. In general, screws of PCB's tend to get somewhat loose over the years. To prevent a bad ground connection by this, there is also a soldered ground connection. This should be connected with a wire, to the ground plug of the metal case. If the chassis is colored or surface treated (such as passivated aluminum), remember to clean the metal beneath the screw.
In addition to the four RCA Connectors, the metal case needs also a ground screw at the outside, which connects to the record player, with a simple single wire. Since Dec 2023, this ground screw is also provided, a nice gold plated version.
The EE50 board works with most cartridges needing a gain from 3 to 32x.
The table which is linked here, will quickly assist with the choice.
Green Box: This is a recommended setting.
Black Box: The output signal is much too high or too low.
Blue Box: The output signal is above normal, thus improving signal to noise ratio. However it gives higher load to the cartridge, and needle damping becomes higher. This may be compensated by choosing the lowest possible damping. If the cartridge has a green and a blue box, choose the one which sounds best in your system.
This MC unit designed to work right away. If there is hum however, the EE50 board has a some modes for fault finding.